Australia
Bond University
MBA
Gold Coast, Queensland, Australia
Full-time (1 year)
University of Western Australia Business School
MBA Full TIme
Perth, Western Australia, Australia
Full-time (1 year)
Queensland
University of Technology Brisbane Graduate School of Business
Graduate Certificate of Business Administration
Brisbane, Queensland, Australia
Full-time (1 year)
University
of Queensland Business School
MBA, Full Time
Brisbane St Lucia, Queensland, Australia
Full-time (1 year)
New Zealand
University
of Otago Business School
Otago MBA, Full Time
Dunedin, New Zealand
Full-time (1 year)
Australian Film
Australian film production got an early start. As early as 1896, the first documentary was made, which began Australia's strong documentary film tradition. Charles Tait's "The Story of the Kelly Gang" from 1906 counts with its 65 minutes as one of the first feature films in film history.
After a pioneering business in the early 1900s, the Australian feature film was silent for a long time. During the 1920s, and especially after the introduction of the feature film, the market was taken over by Hollywood products. High-quality documentaries dominated the 1930s and 1940s. The feature films created by Charles Chauvel, the country's then leading director, rarely reached outside the home market. International co-productions, where the Australian effort was often limited to the technical side, characterized the 1950s and 1960s.
With the federal government setting up the Australian Film Development Corporation in 1970 (1975 reorganized into the Australian Film Commission) and a new generation of filmmakers seeking a national film identity, however, came a turn. Highly artistic films were created by directors such as Peter Weir ("Excursion into the Unknown", 1975; "Gallipoli", 1981), Ken Hannam ("Sunday Too Far Away", 1975), Donald Crombie ("Caddie", 1976), Fred Schepisi ("The Chant of Jimmy Blacksmith", 1978), Bruce Beresford ("Knowledge is Gold", 1977; "The Field of Honor", 1980), Phillip Noyce ("Newsfront", 1978) and Gillian Armstrong ("My brilliant career", 1979). The films in this "new Australian wave" are characterized by proximity to magnificent landscapes and exploration of the Australian State Confederation's short history; the relationship with the urinals was an important theme. Traditional Australian values such as camaraderie and democracy, often associated with pioneering spirit and an anti-authoritarian stance, were keenly emphasized. In the years 1970-80, more than 150 feature films were produced, and in the 1980s the production rate increased further, influenced by tax relief for producers and investors (in 1980-83, 81 feature films were made).
However, as early as the early 1980s, several directors were recruited to the United States, while production at the middle of the decade again began to be dominated by films aimed at entertainment for an international audience, eg. the films about Mad Max (1979, 1981 and 1985), directed by George Miller and with Mel Gibson in the title role, and Crocodile Dundee (1986, 1988 and 2001), directed by TV comedian Paul Hogan.
After draining a series of film talents to Hollywood, the Australian film industry re-emerged in crisis, but since the 1990s, several young directors have emerged and enjoyed international success, including. Baz Luhrmann ("Strictly Ballroom - The Forbidden Steps", 1992, "Moulin Rouge", 2001, "Australia", 2008), Geoffrey Wright ("Romper Stomper", 1992), Stephan Elliott ("Priscilla - Queen of the Desert", 1994), PJ Hogan ("Muriel's Wedding", 1994, "Peter Pan", 2003), Peter Duncan ("Children of the Revolution", 1996), Alex Proyas ("Dark City", 1998, "I, Robot", 2004), John Hillcoat ("The Proposition", 2005, "The Road", 2009) and Warwick Thornton ("Sweet Country", 2017).
From films of directors of the older generation are Richard Franklin's "Hotel Sorrento" (1995), Scott Hicks "Shine" (1996), Phillip Noyce's "Rabbit-Proof Fence" (2002), Peter Weir's "Master and Commander - Beyond the End of the World ”(2003) and“ The way Back ”(2010) and Bruce Beresford’s“ Mao’s Last Dancer ”(2009).
A large number of Australian actors have made international careers with
varying degrees of success; among the most fortunate men besides the
aforementioned Mel Gibson include Bryan Brown, Russell Crowe, Geoffrey Rush,
Hugh Jackman, Guy Pearce and Heath Ledger and among the women Nicole Kidman,
Judy Davis, Naomi Watts and Cate Blanchett.