Burmester B30

Burmester is one of the few brands that are a recognized size outside the high-end scene. You can find the chrome shiny electronics of Berlin often with well-heeled music lovers who want to not care about cable sound, Tuning means and audiophile LP pressings and simply just comfortably listen to music. Also a Burmester speakers must play course in prestigious, large rooms – and that is acoustically not easy, if he should come at the same time still shapely slim. How the new B30, which will turn as the largest model of the “small series” especially to Burmester fans, whose budget is not infinite and ask for too much box in return for the money.

  1. Burmester B30
  2. Data sheet

The Burmester solution provides a full 3-way concept, where the oval bass driver on the boxes page moves and both mid-range and tweeter with special sound guides are provided, the temperate limit the beam angle.
Behind the tweeter guide compression driver, but a JET tweeter not imprisoned as on horns, of high change often To be stupefied according to the principle of the air motion transformers. These multiple folded Magnetostatic membrane – so a film with adhesive traces as drive – runs like a concertina analog to the adjacent signal together and apart. Often this design suffers from limited dynamic capabilities in the lower range between 3 and 5 kHz – here the Horn attachment also helps by bringing out several decibels sensitivity and dynamism.
The chassis are at Berliners usual, individually for Burmester produced special solutions – including the 17 centimeters quite generously, soaked Central clay membrane. Acoustically, this apparent generosity helps the transition to the side-mounted bass that comes along in the rare oval format. He works backward on a lush bass reflex tube, that is close if necessary with a supplied plug can reduce ROAR.
Visually Burmester products are always a treat, since the B30 is no exception. Who risked a look inside, quickly sees that here no Blender at work, but also the processing of the sound Chamber and the damping of the casing walls came very carefully. Almost, you’d think here is flowed more money in the chocolate, say in the sound, as in the exterior, because on shiny chrome and large metal plates must forgo understandably the small series by Burmester.
Who expected an effect accentuated instead of audiophile appearance by a so bulky occurring and also horn-like box, found himself pleasantly surprised: In contrast to the little sister B25, which tonally flings out the custom size like the B30 not overly played forward, but impressed with balanced restraint and a room staggered clean in the depth. In contrast to competition from Blumenhofer and Geithain, not exactly so she took it with establishing and played already without hours optimizing “out of the box” absolutely convincing. Gladis Knights’ “God Bless The Child” (“Before Me”, universal) the Burmester, who combined bass and drums to a rousing musical Groove without unnatural to highlight one of these demonstrated the excellent sense of rhythm.
With classic sounds, as Bruckner’s Symphony No. 4 (Simone Young), gave to the B30 emphasizes subtle and restrained: modest listeners took a seat in rear floor and listened to the broad panorama and the stress-free natural resolution of the Symphony romantic in the truest sense. Since you liked Miss for strings and voices some beams shine and openness, but the excellent ESS and the exact drawing of just the low and middle voices were betting more than that.
Burmester B-30

Manufacturer Burmester
Price €9000.00
Rating 99.0 points
Test procedure 1.0

Technical data and test results

General data
Dimensions (W x H x D) 20.0 x 98,0 x 35.0 cm
Weight 40.0
Surfaces
Color
Technical characteristics
Bass principle Two-way bass reflex
Number of ways 3
Working principle of full Active
Facilities
Connections BI-wiring
XLR connectors
Space adaptation
Surround complementary.
RCA
Laboratory characteristics
Maximum volume upper value 106 dB
lower cut-off frequency (-3dB) 32 Hz
Lower cut-off frequency (-6 dB) 29 Hz
Nominal impedance (audio) 4 ohm
Review
Balanced, very harmonious and softly playing, super bass and timing focused,
Voices could breathe more, could use some more high gloss
Bass quality 100
Bass depth (bass Foundation) 95
Attention to detail (precision) 100
Dynamic 95
Maximum level (vitality) 90
Neutrality 100
Imaging 105
Spatial (airiness) 100
Processing Very good
Sound judgment well over 99
tested in issue: 3 / 10

 

Gallery

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